L'Institute Zoom

An entry in the Glossary project Francis Dove ’s notorious 60,000 word tutorial on character development in film and television productions...

An entry in the Glossary project Perhaps inspired by the way a flying trapezist orients himself in the 3-dimensional space of the big top u...

An entry in the Glossary project Nanneman’s Catalogue removed the trial of working with actors from the filmmaking process by creating the...

An entry in the Glossary project Ever-cautious about confusing issues of authorship and ownership, Nanneman did not provide a facility for ...

An entry in the Glossary project As a former trapezist who had swung and dangled voicelessly over the abyss night after night and year afte...

An entry in the Glossary project The deliberate withholding of audio or visual information, usually by obscuring it with other matter ( sou...

An entry in the Glossary project A somewhat teleological contraption utilising a highly reactive film stock concocted by Nanneman while ...

An entry in the Glossary project The concept of the plug-in in relation to the work of Nanneman and his contemporaries can be a confusing ...

An entry in the Glossary project A filmmaker and contemporary of Nanneman, Nola Luna IV ’s style was openly trashy - although she preferred...

An entry in the Glossary project Questioned as to why it was so difficult to create the correct eyelines when lining up Catalogue -generat...

An entry in the Glossary project Having hunted , indexed and categorized his (revised) target of 16, 384 colours, Nanneman set the work exp...

An entry in the Glossary project Nanneman was pressured, during a washroom encounter with his line manager, to keep to the latter's ...

An entry in the Glossary project On learning that all complex sounds have as their basic unit or building block the 'sine wave', N...

An entry in the Glossary project As a young trapezist, not only was Nanneman's training restricted to the technical matters of physica...

An entry in the Glossary project The flow of a movie; the synergy of its components as experienced in time; the essence of a movie’s movien...

An entry in the Glossary project Nanneman was not the first to hypothesize that films 'help' us by contextualising our experiences:...

An entry in the Glossary project Over the course of one working day, Nanneman showed a movie scene to eight city council colleagues (Respon...

An entry in the Glossary project A supplementary screenplay explaining those unspoken or unacted but more or less important plot devices no...

An entry in the Glossary project In its redestructivish sense, the Implicit is the inverse of Visual Matter or, to put it another way, the...

An entry in the Glossary project Nanneman issued Hanni and himself " contracts " for the creation of each redestructivish comp...