Out to shoot the wind, but the rain stole the show. The elements make for a flaneur's shot list: the shape of the city mutates when you're hunting for meteorological rather than economic or social currents. Split is full of - almost structured around - strange dead spaces, squares that no-one gathers on, paths that are crossed only laterally, semi-abandoned brutalist playgrounds, idealistically composed but lifeless would-be social spaces. There's another movie in there, or perhaps an opera of echoes; but for now, we follow the wind.
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