Showing posts with label colour. Show all posts
Showing posts with label colour. Show all posts

Wednesday, 27 September 2017

UNIVERSAL EARLog III: Day 36

We spend the day in the house that Jacques built - the Palais Jacques Coeur, which France's richest man commissioned and had erected just in time for a brief tour before he was trialled and exiled. Well, the real thing doesn't have much colour these days, but Niemczyk and team's replica is bright and warm - it's only a shame it too will be drained by the black and white film stock. 

Still, it's a pleasure to shoot shot after shot against more or less the same background, with just small re-arrangements to place us further along a corridor, or more intensely menaced by quite-possibly-sentient statues (and stained glass window). By the end of the day, my brain is spinning and I struggle to string a sentence together - perhaps the underlying structure of the building, or the pattern of the wallpaper, is indeed cursed, with the curse to be replicated wherever those structures are re-composed.




Monday, 12 September 2011

Intern's Palette, The

An entry in the Glossary project

Having hunted, indexed and categorized his (revised) target of 16, 384 colours, Nanneman set the work experience boy the task of creating full back-stories for each hue. Given the vigour with which the unnamed teen took to his work, he must either have believed Nanneman’s lie-by-omission that the project was a genuine City Council task passed on by colleagues tired just by the scale of the project, or been enthusiastic and quite stupid as many of the happier of people are, or, as is most likely, some of Nanneman’s quixotic fervour rubbed off on him. Whatever way around, it was some feat for him to complete, as he did, biographies several pages long for each of precisely 256 colours in the two weeks before he was obliged to return to school. There are indications that Nanneman was all the same disappointed at the tiny dent made in the full spectrum of redestructivish colours and, given that his superiors refused him custody of any further work experience students, progress on further colour back-stories was sporadic. The work experience boy’s accomplishment stands therefore as the largest fully-documented colour range in the Catalogue, and it is from the informal name that this collection became known by that the phrase "the intern’s palette" passed into popular use to indicate a naïve and incomplete glimpse of a utopian new system within the breakaway department of an immoveable institution.